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London Road

[By: Modestep]


Genre: Drum n bass, Alternative rock, Brostep

Rating: 85


Cohesiveness: 74


Track quality: 79


Beginner-friendly? a bit 50/50

Written 2025/04/06

London-based Modestep slant their outlook inwards and backwards to their roots for their second studio album "London Road". Simply put — it was an instant classic.



At the time of producing this album, Modestep were a four-member band of Josh and Tony Friend, Pat Lundy and Kyle Deek. They claim "London Road" is a unified, cohesive project that achieves what their debut album could not — in that it represents Modestep as a group and the London music scene as a culture — and on that, I fully agree. With genre-jumping from grime to drum n bass, brostep to alternative rock, "London Road" concretizes Modestep as a band that resides in electronic music, but a band nonetheless — a band set out to typify the spirit of London in a way which no other genre cocktail quite could. Josh's vocal is incredible, interacting phenomenally well with anything the guitar riffs and grimy basslines throw at him, guiding the tracks over rocky brostep sustains and fast-paced DnB beats with emotion and vigour, a natural in the spotlight. But the production is perhaps better — for a 2015 brostep-infused project, much of the frenzied sustained basslines have aged well over time, perhaps as a product of pertaining less to the American brostep trends (despite taking much from them) and instead harkening back, with respect, to dubstep's London-based origins (such as the Culprate collab in "On Our Own"). Reggae and grime pay their dues in the final two tracks, an integral influence to much of the UK electronic scene, with their tribute in the final two tracks — including "Game Over", a bombastic finale featuring 6 separate grime MCs for a near perfect album closer. Drum n bass comes in waves, solid snares striking hard, energizing "London Road" and shepherding the complementary alternative rock when the guitar launches into another barrage of riffs and vocal support. The blend of rock and bass is nothing but tasteful, and with Josh's impeccable vocal layered on top, "London Road" is the domineering herald of London's rich music culture, polished and consistent. "London Road" doesn't break boundaries, it artfully demonstrates to us that those boundaries were never there in the first place — London is one entity, unified and cohesive, and you better believe that "London Road" is too.



Modestep absolutely did one hell of a job on this project, to the point where there is quite literally no filler. Everything here feels genuine in its sentiment, quality in its execution, hard-hitting in its production and diverse in its idea. Rock and bass trade blows behind some lovely vocals and lyrical hooks, and it compacts into 50 minutes of mature sonic exploration, a sometimes wistful, sometimes energized look back into the past. There are a couple of old-fashioned or otherwise dated production choices here that haven't aged well, but for the most part, "London Road" remains to this day an essential electronic album.



Listen on Spotify here.

Damien [Heavy] | (67/100)

w/ FuntCase

Kinda cinematic intro with a very angry vocal sample and a metallic riddim drop — dated, but nice

Make You Mine [Upbeat] | (74/100)

w/ Teddy Killerz 

Very rock-heavy tune with noticeable electronic twinges and a very clean drum n bass final movement

Machines [Intense] | (84/100)

Love the industrial motif in the lyricism and the vocals are fantastic with a strong bassy drop

On Our Own [Standout] | (92/100)

w/ Culprate

Burial-esque garage beat and muted production for the first movement, with a slamming brostep drop that comes from nowhere

Feel Alive [Emotive] | (77/100)

A very much rock based track with a nice riff and a darker, more intense final movement with a final heavy DnB drop

Rainbow [Intense] | (48/100)

w/ The Partysquad

Don't mind the vocal but I'm really not a fan of these drops, they sound extremely dated

Snake [Emotive] | (79/100)

Rocktronic drum n bass, Josh's vocal shines here and a grimy bassline snakes (pun intended) into the rock work

Nightbus Home [Switchup] | (89/100)

Enjoyed the dynamicism the stringwork and basslines provide to this liquid DnB track, and the vocal is good as ever

Seams [Standout] | (85/100)

Darker, heavier rock that warrs with the electronic production — a rock-heavier first movement and a DnB second

Sing [Intense] | (81/100)

w/ Trolley Snatcha

Appreciated longer cut, Josh's vocal thrives here and the brostep drops are actually kind of tasteful

Circles [Intense] | (78/100)

w/ Skindred

Big fan of Skindred's vocal performance, the bassy builds are a bit weird but the electronic drops are neat and the metal finale is sick

Game Over [Standout] | (90/100)

w/ Rude Kid, Big Narstie, Dialect, Discarda, Flowdan, Frisco, Layz

Love the vocal hook and the metric tonne of grime features give this track a ton of dynamicism with everyone pitching in a verse


  1. On Our Own w/ Culprate (92/100)

  2. Game Over w/ Rude Kid, Big Narstie, Dialect, Discarda, Flowdan, Frisco, Layz (90/100)

  3. Nightbus Home (89/100)

  4. Seams (85/100)

  5. Machines (84/100)

  6. Sing w/ Trolley Snatcha (81/100)

  7. Snake (79/100)

  8. Circles w/ Skindred (78/100)

  9. Feel Alive (77/100)

  10. Make You Mine w/ Teddy Killerz  (74/100)

  11. Damien w/ FuntCase (67/100)

  12. Rainbow w/ The Partysquad (48/100)