Credit: Space Cult
LEAVING THE WORLD BEHIND
[By: ATLiens]
Genre: Dubstep
Rating: 50
Cohesiveness: 61
Track quality: 64
Beginner-friendly? don't think so, but what do i know
Written 2024/10/21
Coming off of their unexpected lawsuit with renowned hip-hop duo Outkast, ATLiens release their debut album. You know, because that's what you do after nearly getting sued.
All things considered, "LEAVING THE WORLD BEHIND" is a pretty serviceable record. Though it lacks most of the narrative the cover art might promise, ATLiens' production is solid. Opting for a more minimal, empty style, ATLiens' take on brostep in their debut album is surprisingly melody-focused, and a lot of the cuts here are enjoyable in their own right, whether it's the melodic "FINDING SILENCE" or the DnB heater of "SINKING". Unforunately, whilst it plays to their strengths in some parts, it also becomes quite the hindrance. ATLiens lean quite commercial and safe with their dubstep — and even their genre switchups — and yet the entire thing sounds completely tonally lost. Whilst the vocals are quite stolidly commercial-oriented (and I will say that I do enjoy quite a few of the vocal features here), the drops are caught in a strange point of limbo between commercial and underground, ranging from slightly uncertain to completely directionless. Many of the tracks sound extremely diluted, and many others sound straight up empty. It's almost impressive how ATLiens' production can, at points, sound overblown, empty, and lost, all at once. Stylistic choice can only go so far, and at some point a project needs to sound stylistically consistent, but ATLiens' apparent inability to choose which way they want their debut project to lean serves to be the downfall of "LEAVING THE WORLD BEHIND". And the decision to include transitions is a nice touch, sure, but also utterly bizarre — in an album of confused tonality, no clear intention, and an abject lack of cohesiveness, ATLiens took the extra step to add transitions between tracks? I appreciate the effort, I really do, but it makes no sense to me.
Don't let the bulk of the review fool you, though, because there are genuinely some nice tracks here. The production isn't horrendous, though it's not technically great either, and the lack of extremity also means that nothing really sounds absolutely awful with this project — and yeah, I am still a sucker for transitions, even if they make no sense, and even if the record sounds like the same idea every song. "LEAVING THE WORLD BEHIND" is, as I said, still a serviceable enough record, it just achieves literally nothing.
Listen on Spotify here.
INTO THIS WORLD (intro) [Structural] | (/100)
Not a terrible intro, atmospheric and distorted, with neat sampling and darker progression
BLACK SHEEP [Standout] | (/100)
w/ GG Magree
Weird to include a cover, but GG Magree's vocal is great, and I really do like the rich growly drop
FINDING SILENCE [Melodic] | (/100)
w/ Northside Hollow
Slurred vocals are a bit weird, but the drops are melodic and impactful, even if the mix is a bit off
LOSING MY MIND [Intense] | (/100)
w/ Cxssidy
Love the vocal but the drop is weirdly abrasive, and along with the sampling, very confused
IMY [Standout] | (/100)
w/ Dion Timmer
Crystally, stuttery lead with a repeating sample and a pretty banging psytrance second drop
TRAIN SONG (Interlude) [Structural] | (/100)
Chill lo-fi atmosphere that doesn't really do much but has decent progression for an interlude
FLOWERS [Upbeat] | (/100)
w/ FRNDSbyMDNGHT, Denisse Borquez
Upbeat and pop-py, a little more of an easier track with more brooding drops and a pausey second one
CUTTING TIES [Dark] | (/100)
w/ One True God
Filtered, muted vocals, and the rest of the track is equally muted — though I kind of dig the emptiness of this one
NEVER GETTING YOU BACK [Upbeat] | (/100)
w/ YULTRON
Another upbeat tonality with less upbeat lyricism, rolling drops, and a polished DnB switchup
BE YOUR GHOST [Dark] | (/100)
w/ Roniit
Very distorted and almost haunting, the drops are completely directionless but I kind of like them
SOUL ON FIRE [ ] | (/100)
w/ YOOKiE, Cara Kay
Slower pacing and slower vocals, and drops that are way, way too empty, to the point where nothing really happens
SINKING [Switchup] | (/100)
w/ GRIIMM, Tomb
Strong, intense DnB tune — much more interesting than most of this record — with sharp snares, even if the vocal is a bit poor
LEAVING THE WORLD BEHIND [ ] | (/100)
w/ Coasting
A very par-for-the-course track to end the album, feels a bit unnecessary, but I'll admit I like the vocals
- BLACK SHEEP w/ GG Magree (/100)
- SINKING w/ GRIIMM, Tomb (/100)
- CUTTING TIES w/ One True God (/100)
- NEVER GETTING YOU BACK w/ YULTRON (/100)
- FINDING SILENCE w/ Northside Hollow (/100)
- BE YOUR GHOST w/ Roniit (/100)
- FLOWERS w/ FRNDSbyMDNGHT, Denisse Borquez (/100)
- IMY w/ Dion Timmer (/100)
- TRAIN SONG (Interlude) (/100)
- INTO THIS WORLD (intro) (/100)
- LEAVING THE WORLD BEHIND w/ Coasting (/100)
- LOSING MY MIND w/ Cxssidy (/100)
- SOUL ON FIRE w/ YOOKiE, Cara Kay (/100)