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DUMB

[By: Emma Louise, Flume]


Genre: Future bass

Rating: 70


Cohesiveness: 59


Track quality: 67


Beginner-friendly? mostly yes, but a bit abrasive at times

Written 2025/10/06

"DUMB" is Emma Louise's and Flume's collaborative attempt to break a new dimension into the electropop spectrum, and though it's just thirty minutes long, it poses a valiant effort.



Whether this is a bigger statement on Flume's or Emma Louise's part, I'm uncertain. Flume's distinct, wonky production style powers through this tracklist to frame Emma Louise's polished, versatile voice in sheens of melodies and beatwork. By way of being just 10 tracks, "DUMB" happens upon consistency, not through a cohesive through-line but simply as a byproduct of the combined artistic experience of these two. As far as the pop-leaning elements of this record goes, "DUMB" is surprisingly normal; most of the vocal performances are pretty linear and unprovocative, lending a certain normalcy, an anchor by which to ground this album - whilst Flume is free to mess around quirky, nonconformist beatworks, so long as he stands within the record's vision. Really this sounds less like a Flume album and more like one spearheaded predominantly by Emma Louise, delivering her smooth voice to each track like a neatly packed gift - a gift unwrapped, ripped apart, haphazardly put back together, and repackaged by Flume. And I mean that in the best way possible, because, in all honestly, the quirky, almost abrasive future bass beats are what makes "DUMB" an interesting record. The strongest tracks here are the ones whose beat strays off course and explodes into its own living entity, perhaps like the lively progression of "Stay" or the massive sub bass of "Shine, Glow, Glisten" - but, similarly, when Flume takes a back seat, Emma Louise finds herself a little stuck in place. That's not to say Louise's vocal is bad, no, she's most certainly the biggest proponent of this record, but the charm of "DUMB" is this interaction between her reliable, consistent vocals and Flume's uncompromising experimentalism. When that interaction is lost, "DUMB" means very little.



Flume's been on a bit of a roll this year, with his collaborative EP with JPEGMAFIA releasing just months ago. "DUMB" is a well-meaning addition to both his and Louise's catalogue - another strong showing from both artists, who are well-respected in their own scenes - and though it's nothing bombastic, this is one of those albums of the year that's too low-key to be a standout, but strong enough to be a highlight. Perhaps none but a few of these tracks warrant much replayability, but "DUMB" still leaves a lingering positive impact behind it.



Listen on Spotify here.

All Of The Worlds [Standout] | (78/100)

Louise's vocal is great here, but Flume's stuttery yet triumphant production really elevates this tune

Monsoon [Melodic] | (61/100)

Strong intro and the vocals carry a lot of weight, the production gives it space to breathe but that snare is a bit too sharp

Shine, Glow, Glisten [Intense] | (76/100)

Big sub that complements the vocal very well to create a fully-fledged, almost intense rhythm to the tune

Feel Ur Love [Standout] | (74/100)

The vocal from Louise is one of the strongest, and the future bass production is aptly grand and polished

Easy Goodbye [Melodic] | (75/100)

Scratchy lead that slowly develops into a fully-fledged beat behind Louise's slower vocal performance

Stay [Melodic] | (72/100)

Love the linear progression here, from a more emotive vocal-focused tune to an almost tropical, synthy finale

Whenever You Want [Melodic] | (56/100)

Some of these synths are pretty great but the songwriting isn't really the most intriguing on this record

Homicide [Catchy] | (64/100)

The "homicide" hook (and surrounding chorus) is pretty nice but the track doesn't really interest me past that

Brand New [Switchup] | (57/100)

Louise's is good here but not quite enough, the atmosphere is cool but I find the hardstyle at the end a bit weird

Truce [Atmospheric] | (59/100)

Intricate atmosphere, but again, it's not quite enough - a good track as a closer but doesn't quite hold its own


  1. All Of The Worlds (78/100)

  2. Shine, Glow, Glisten (76/100)

  3. Easy Goodbye (75/100)

  4. Feel Ur Love (74/100)

  5. Stay (72/100)

  6. Homicide (64/100)

  7. Monsoon (61/100)

  8. Truce (59/100)

  9. Brand New (57/100)

  10. Whenever You Want (56/100)