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Cover art

COOKED

[By: Teddy Killerz]


Genre: Drum n bass

Rating: 75


Cohesiveness: 69


Track quality: 77


Beginner-friendly? not particularly

Written 2025/06/10

It's been 8 years since "Nightmare Street", but finally, we have the Teddy Killerz sophomore album, and this time, it feels like they're in full flow.



In fact, Teddy Killerz has been in full flow for a while now, having arguably one of the best two-year runs of any artist in the bass music scene with an arsenal of incredibly creative ideas and quality execution to match. It makes sense, then, that they capitalized on their exponentially growing prowess to deliver their second album, and boy, is this several notches up from their debut. The biggest difference is that "COOKED" actually feels refined in every sense of the word. This time, the Russian neurofunk trio brings cohesive ideas and crafts well-made, stylistically rich tracks that swing carefree over the different stages of a rave — and though it lacks narrative cohesion as a holistic project, that stylistic cohesion is enough to bring a sense of continuity throughout. Simply put, "COOKED" is a ton of fun. Spreading itself across the drum n bass spectrum, from powerful neurofunk bangers to melody-driven, brighter cuts, this project isn't afraid to pull out a creative idea or a crazy lead to expand its horizons — this project is not only refined stylistically, then, but also brings out refined ideas. And Teddy Killerz don't skimp out on refined production either, with everything here having clean execution both amongst the melodic parts and the heavier parts, bringing together some of the most popular rave drum n bass tropes and expanding upon them in ways only Teddy Killerz can find. This overall sense of refinement is the main thing that brings this project so far above "Nightmare Street", yes, but I also can't deny that Teddy Killerz have simply just produced a really good album even outside the cage of comparison. "COOKED" is simply meant to be a good time, and, with an array of goofy ideas and powerful basslines — like "Mom I Am Going To Rave" or "We Love Drum & Bass" — it strikes straight and true at the energy of a rave, an energy you can feel even through mere headphones at home, and that's arguably what makes it so powerful. This is the essence of festival drum n bass distilled into its silliest yet most conceptual form and bottled up into a 14 track album, welding together forward-thinking production with proficient songwriting and plenty of diversity within the genre, all with the ultimate goal of having a ton of fun.



So yes, Teddy Killerz continue to push the boundaries of drum n bass on a large scale. Though this album isn't as innovative as some of their earlier singles, it's still a very good exploration of the ideas this Russian trio has to offer, much better than their debut album by quite the margin. "COOKED" is, behind its slightly ridiculous themeing, a reshaping of their drum n bass style that combines familiar elements with an ever-expanding novelty.



Listen on Spotify here.

Smash It Up [Heavy] | (78/100)

Some great leads here and a nasty metallic jump-up drop — super filthy opening tune, and aptly so

Mom I Am Going To Rave [Fun] | (82/100)

w/ Gydra, Rysick

This one really hoists some deep basslines and a pretty silly yet simultaneously banging atmosphere

Fuse [Standout] | (80/100)

w/ Khazali

Brighter DnB tune, big fan of the vocal and all the sound design choices that make this track simple yet intricate

Give Me [Intense] | (76/100)

Another banger of a tune, pretty sick compressed lead that pushes through really hard — nothing special, just a sick track

We Love Drum & Bass [Fun] | (84/100)

w/ Serum, P Money

Love the production on this one and the flow is fantastic, P Money's lyricism is a bit on the nose but I don't mind it

Deep In The Night [Heavy] | (81/100)

Buildups are good fun and the lead in the drops is powerful and crushing, whilst it's nice and melodic outside of them

Feed Your Soul [Standout] | (85/100)

This is just a really solid track, the lead is fantastic and oscillates well and anchors the whole track nicely

NRG [Intense] | (75/100)

w/ Inja

Inja's rap is the highlight of this tune, the deep basslines are nice but the drops are a bit weak — still a good one though

I Got Love [Switchup] | (79/100)

Deep UK-dubstep-styled track, wobbly and well-made — and refreshing to have a break from the DnB

Tonight [Standout] | (77/100)

w/ Sweetie Irie

Vocal style fits really well with the minimal DnB, production is simple but the structure is effective

Skydiver [Intense] | (70/100)

Not big on the massive sustains in the drop but the rest of the track is so good I can look past them

Sadece [Melodic] | (75/100)

w/ Billur Battal, Valfi

Can't understand the vocal but I can definitely understand these liquid DnB drops because they are great

Inhale [ ] | (66/100)

w/ Tony Wonka

Sampling is very nice and the pre-drops are also clean, first drop is a bit underwhelming though

Supa Sweet [Intense] | (76/100)

w/ Armodine

Strong, driving track to finish, pretty atonal but the basslines are well-made — I am more than satisfied with this closer


  1. Feed Your Soul (85/100)

  2. We Love Drum & Bass w/ Serum, P Money (84/100)

  3. Mom I Am Going To Rave w/ Gydra, Rysick (82/100)

  4. Deep In The Night (81/100)

  5. Fuse w/ Khazali (80/100)

  6. I Got Love (79/100)

  7. Smash It Up (78/100)

  8. Tonight w/ Sweetie Irie (77/100)

  9. Supa Sweet w/ Armodine (76/100)

  10. Give Me (76/100)

  11. NRG w/ Inja (75/100)

  12. Sadece w/ Billur Battal, Valfi (75/100)

  13. Skydiver (70/100)

  14. Inhale w/ Tony Wonka (66/100)