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BRAT

[By: Charli xcx]


Genre: Hyperpop, Club pop

Rating: 70


Cohesiveness: 64


Track quality: 66


Beginner-friendly? yes, you've probably heard it already anyway

Written 2024/08/12

Ah, "BRAT". The album that shook the world. 



Charli xcx struck mainstream gold in the album of the summer, in unquestionably one of the most prolific records of 2024. The cultural shifts "BRAT" triggered set its precedent as one of the most notable albums this side of the 2000s, and its presence in pop culture is certainly felt. But does it hold up to the hype? Most would immediately say yes, and for the most part, I'd agree. "BRAT" caters to a very mainstream audience, sure, but it does so by bringing in plenty of underground influences — say, the techno of "365" or the acidic, bassy "B2b" — and to see these influences receive attention on the biggest stage in the world is refreshing. Charli xcx brings something different, and I thoroughly appreciate that; it gives the project a lot of energy, energy that is vital to its success. Firmly rooted in club culture, "BRAT" executes exactly what it needs to to land its vibe — on the surface, "BRAT" is a feel-good, partygoing 13 tracks, and there are plenty of bangers packed into the clubby vibes of "BRAT", but Charli xcx balances it out with slower, emotional cuts, giving the record an invaluable nuance to it. Amidst all the rave chaos, this project is able to take a step back and mourn for Charli's mistakes, if only for a short period of time. And yet, I can't honestly say that I love "BRAT" as much as most seem to. Perhaps I'm just not the target audience, but stylistically, Charli's vocals don't quite hit the mark for me. She's got a great voice, and the lyricism is serviceable enough, but the vocal delivery felt slightly off — what got me, though, was the heaps of autotune used. At many points throughout the album, the autotune and delivery felt disconcerting and/or offputting, taking away from the album's message and narrative, and occasionally overriding the production details. The other flaw I found offputting was the tonal whiplash felt at multiple points through the record, and whilst I can see this being intentional, I can't say I'm a fan of the rather sudden switches between slow piano ballads and energetic party tunes. 



It's true that I didn't feel that "BRAT" met the level of expectations bestowed upon it by the global population, but I can't deny that it's a good project in its own right. To do something new in the mainstream stage is one thing, and to achieve monumentous success with that novelty is another thing entirely, and yet Charli xcx succeeds in both regards. At the end of the day, I suspect it comes down to the fact that I'm not the target audience for this record.



Listen on Spotify here.

360 [ ] | (52/100)

Kind of annoying intro played pretty safe, introduces the ideas well, nothing really special happening yet

Club classics [Intense] | (68/100)

Intruiging beat, warped and scratchy production, and a catchy chorus — not huge on the almost spoken word sections, though

Sympathy is a knife [Standout] | (80/100)

Great plucky synthwork that feels quite rich and dense, alongside well-done vocals and lyricism

I might say something stupid [Laid-back] | (56/100)

More atmospheric and progressive track held up by the chill piano and emotive vocals — drags on a bit though

Talk talk [Fun] | (58/100)

Poppy track hoisting smooth disco elements and bouncy elements, though it's quite repetitive

Von dutch [Catchy] | (74/100)

Driving, fluctuating bassline and nice flow in the vocals — honestly, I can see why this got so popular 

Everything is romantic [Switchup] | (77/100)

Rap? Nice orchestral production that moves into a strong breakbeat section and then to a techno section — pretty crazy

Rewind [Melodic] | (63/100)

More melodic feel with upbeat synth runs and a shit ton of offputting autotune — eeeh, could be worse

So I [Emotive] | (65/100)

Emotive and moving vocals over a neat piano and soft, almost synthwavey production elements

Girl, so confusing [Standout] | (62/100)

Fuzzy bassline with carefree and dynamic vocal chops and another overly generous helping of autotune

Apple [Catchy] | (66/100)

Clubby, diluted vibe with some neat synth production and quite a catchy vocal hook

B2b [Standout] | (80/100)

More focus on production, the acidic bassline and plucky synths are very good behind the repeating vocal

Mean girls [Melodic] | (57/100)

Big loud synth that holds the track together alongside the chorus — definitely has its own aesthetic

I think about it all the time [Laid-back] | (58/100)

Chiller, slower movements with a nice kick and some introspective spoken word sections, though it fails to hold my attention

365 [Standout] | (67/100)

Bouncy, glitchy buildup; sick acidic bassline; giant techno beat to finish off — insane finale, but vocals don't do it for me


  1. B2b (80/100)

  2. Sympathy is a knife (80/100)

  3. Everything is romantic (77/100)

  4. Von dutch (74/100)

  5. Club classics (68/100)

  6. 365 (67/100)

  7. Apple (66/100)

  8. So I (65/100)

  9. Rewind (63/100)

  10. Girl, so confusing (62/100)

  11. I think about it all the time (58/100)

  12. Talk talk (58/100)

  13. Mean girls (57/100)

  14. I might say something stupid (56/100)

  15. 360 (52/100)